The Loom of Time: A Selection of His Plays and Poems by Kālidāsa

By Kālidāsa

Contriubtor noted creation by means of Chandra Rajan
Publish yr note: First released in 1989 by means of Penguin India
-------------------------

Kalidasa used to be the main comprehensive poet and playwright in classical Sanskrit literature.

This assortment positive aspects his best-known paintings: the good poem Meghadutam (The Cloud Messenger), a haunting depiction of longing and separation; the play Sakuntala, which describes the stricken love among a girl of Nature and King Duhsanta; and the poem Rtusamharam (The accumulating of the Seasons), an exuberant statement of the sheer number of the wildlife because it teems with the energies of the nice god Siva.

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The Loom of Time: A Selection of His Plays and Poems (Penguin Classics)

Contriubtor famous creation by means of Chandra Rajan
Publish 12 months word: First released in 1989 by way of Penguin India
-------------------------

Kalidasa was once the main complete poet and playwright in classical Sanskrit literature.

This assortment good points his best-known paintings: the good poem Meghadutam (The Cloud Messenger), a haunting depiction of longing and separation; the play Sakuntala, which describes the afflicted love among a girl of Nature and King Duhsanta; and the poem Rtusamharam (The amassing of the Seasons), an exuberant commentary of the sheer number of the flora and fauna because it teems with the energies of the nice god Siva.

Additional info for The Loom of Time: A Selection of His Plays and Poems (Penguin Classics)

Example text

The play was not deep; it did its work—just as the fighters do in a ring: they get down to the essential reason for being in the ring. The “achievement” part in the spine has to do with the ego. The play deals with hurt egos and how the hurt has to be healed. There is no implied value judgment in the word “achievement,” although there is in Odets's play. The production did not stop to moralize. It simply told its story, which was like an allegory, and any judgment came from thinking about the whole story.

Paradoxically, though all of his work was motivated by his interest in social issues and though he thought of himself as a liberal, Kazan was at heart apolitical, an artistic loner determined to actualize his artistic vision. In his autobiography he ruefully reconsidered his HUAC testimony: “How is the world better for what I did? It had just been a game of power and influence, and I'd been taken in and twisted from my true self. I'd fallen for something I shouldn't have, no matter how hard the pressure and no matter how sound my reasons.

Your brain can lie to you. Your heart not. If you leave it alone and just be kind of simple about it, it will tell you the Basic Theatre fact. Second essential criticism; and that is the old, old one: NO STORY. A set of developing human relationships is delineated. Or rather, we are shown various stages of a series of character relationships, but that is still not really story. Story has to do with cause and effect, a chain of cause and effects linked together in such away that the end is inevitable in the beginning.

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