By Yochai Ataria, David Gurevitz, Haviva Pedaya, Yuval Neria
This lofty quantity analyzes a round cultural courting: not just how trauma is mirrored in cultural techniques and items, but in addition how trauma itself acts as a severe shaper of literature, the visible and acting arts, structure, and faith and mythmaking. The political energy of trauma is obvious via US, Israeli, and jap paintings types as they replicate various roles of culprit, sufferer, and witness. demanding complexities are traced from spirituality to move, philosophy to trauma thought. And essays on authors resembling Kafka, Plath, and Cormac McCarthy learn how narrative can blur the bounds of non-public and collective experience.
Among the themes coated:
- tv: a irritating culture.
- From Hiroshima to Fukushima: comics and animation as subversive brokers of reminiscence in Japan.
- The loss of life of the witness within the period of testimony: Primo Levi and Georges Perec.
- Sigmund Freud’s Moses and Monotheism and the potential for writing a irritating heritage of religion.
- Placing collective trauma inside its social context: the case of the September 11 attacks.
- Killing the killer: rampage and gun rights as a syndrome.
This quantity appeals to a number of readerships together with researchers and clinicians, sociologists, anthropologists, historians, and media researchers.
Read Online or Download Interdisciplinary Handbook of Trauma and Culture PDF
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Additional resources for Interdisciplinary Handbook of Trauma and Culture
We must admit, however, that the two authors exert considerable effort in attempting to “tell the trauma,” despite the fact that the narrator (especially in Blood Meridian) is in danger of being bewitched by its allure and fascination, without any real ability to free himself and offer an option of cleansing, reparation, and absolution (Collado-Rodríguez, 2012). If trauma exposes the concealed wound and shatters the wholeness of the subject and the coherent unity of the world, then in the postmodern era fragmentation as a cultural condition is a given.
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