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Archives

  • August 2017

Recent Posts

  • Sehnenverletzungen und Sehnen-Muskeltransplantationen by A.N. Witt
  • Soziologie der Neurosen: Die Nervösen Störungen in Ihren by Karl Birnbaum
  • Grundriß der gerichtlichen Psychologie und Psychiatrie by Professor Dr. Hermann Witter (auth.)
  • Selbstverstärkende Dynamiken in Netzwerken: by Markus Burger
  • Theorie der Supraleitung by M. von Laue (auth.)
  • Die Eigenschaften elektrotechnischer Isoliermaterialien in by U. Retzow
  • Fette und Öle: Lipoide · Wachse · Harƶe, Ätherische Öle by Professor Dr. A. Bömer, Professor Dr. J. Grossfeld (auth.),
  • Entwicklungsstand und Perspektiven der Prozeßkostenrechnung by Martin Reckenfelderbäumer
  • Volkswirtschaftslehre 1: Grundlegende Mikro- und by Professor Dr. Horst Hanusch, Professor Dr. Thomas Kuhn,
  • Über Wärmeleitung und Andere Ausgleichende Vorgänge by Dr. Emil Warburg (auth.)

Archive For The “Theatre” Category

The Theater of Truth: The Ideology of (Neo)Baroque by William Egginton

By William Egginton

The Theater of fact argues that seventeenth-century baroque and twentieth-century neobaroque aesthetics need to be understood as a part of an identical complicated. The Neobaroque, instead of being a go back to the stylistic practices of a selected time and position, might be defined because the continuation of a cultural process produced as a reaction to a particular challenge of idea that has beset Europe and the colonial international given that early modernity. This challenge, in its least difficult philosophical shape, matters the paradoxical relation among appearances and what they signify. Egginton explores expressions of this challenge within the paintings and literature of the Hispanic Baroques, new and previous. He exhibits how the concepts of those Baroques emerged within the political and social international of the Spanish Empire, and the way they remain deployed within the cultural politics of the current. extra, he bargains a unified concept for the relation among the 2 Baroques and a brand new vocabulary for distinguishing among their ideological values.

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August 22, 2017 admin
Theatre

A Biographical Dictionary of Actors, Volume 5, Eagan to by Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans

By Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans

Not like one another, quantity five is a sociological portrait of usually little humans of their tragic and comedian efforts to accomplish popularity at the London degree throughout the recovery and eighteenth century, while quantity 6 is dom­inated via the glamour of David Gar­rick, Nell Gwyn, and Joseph Grimaldi, the prestigious clown. a few 250 por­traits individualize the nice and small of the theatres of London.

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August 22, 2017 admin
Theatre

Studies in Theatre & Performance (28:2 – 2008) by SCUDD

By SCUDD

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August 22, 2017 admin
Theatre
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